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"Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today -- but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all."
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Terrific early story by Heinlein; it should appeal to any youngster!
The basic idea was used some years previously; see ship pushes moon from the Buck Rogers: 2430 AD comic strip (1930) by Nowlan and Calkin, the asteroid rocket from Salvage in Space (1933) by Jack Williamson,
planetary propulsion blasts from Thundering Worlds (1934) by Edmond Hamilton, moving a planet from Triplanetary (1934) by EE 'Doc' Smith and atomic drill for moving the moon from Minus Planet (1937) by John D. Clark.
Here's a more fanciful description, from The Last of the Asterites (1940) by Joseph E. Kelleam:
An interesting aside: in Crossroads of Space (1932), Arthur Stangland describes a "fueling island", effectively a huge space station in between Neptune and Pluto, giving it the designation "88-X". I'm guessing that Heinlein is giving a nod to Stangland in this story.
As a space station, compare to the brick moon from The Brick Moon (1869) by Edward Everett Hale, the city of space from The Prince of Space (1931) by Jack Williamson, the New Moon Casino from One Against the Legion (1939) by Jack Williamson, the Venus Equilateral Relay Station from QRM - Interplanetary (1942) by George O. Smith, Wheelchair from Waldo (1942) by Robert Heinlein, the space transfer station from Between Planets (1951) by Robert Heinlein, the Sargasso Asteroid from The Stars My Destination (1956) by Alfred Bester,
the tether space station from Tank Farm Dynamo (1983) by David Brin and the high orbit archipelago from Mona Lisa Overdrive (1988) by William Gibson. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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