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"Science fiction writers, I am sorry to say, really do not know anything. We can't talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful."
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![]() I can't resist terms like this, used to enhance the contrast between the dull present and the exciting future.
Compare to terms like groundcar from Galactic Patrol (1937) by Doc Smith, static house from The Thousand Dreams of Stellavista (1962) by J.G. Ballard, post-crime from The Minority Report (1956) by Philip K. Dick , dumb matter from Accelerando (2005), by Charles Stross and inert-wear from Say Goodby to the Wind (1970), by J.G. Ballard. I'd also add normal space from Islands of Space (1931) by John W. Campbell and flat photo from Hyperion (1989) by Dan Simmons. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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