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"At its best, SF is the medium in which our miserable certainty that tomorrow will be different from today in ways we can't predict, can be transmuted to a sense of excitement and anticipation, occasionally evolving into awe."
- John Brunner
 |
| Eyes | ||
| Flying remote-operated surveillance drones. |
Eyes were used to monitor the movements of dangerous animals, prevent or respond to crime and assist in providing disaster aid.
| ...When six or seven of my hundred-thirty eyes flickered, then saw again, and the music was suddenly washed away by a wave of static, it was then that I began to feel uneasy. I called Weather Central for a report, and the recorded girlvoice told me that seasonal rains were expected in the afternoon or early evening. I hung up and switched an eye from ventral to dorsal-vision... I sent my eyes on their rounds and tended my gallery of one hundred-thirty changing pictures, on the big wall of the Trouble Center, there atop the Watch Tower of Town Hall... My eyes, coasting weightless along magnetic lines, began to blink. I knew then that we were in for something. I sent an eye scurrying off toward Saint Stephen's at full speed, which meant a wait of about twenty minutes until it topped the range. Another, I sent straight up, skywards, which meant perhaps ten minutes for a long shot of the same scene. Then I put the auto-scan in full charge of operations and went downstairs for a cup of coffee. |
| From This Moment of the Storm,
by Roger Zelazny. Published by Not Known in 1966 Additional resources -
|
The eyes also had guns mounted on them that could be fired remotely.
Here's another explanatory excerpt:
Compare to the raytron apparatus from Beyond the Stars (1928) by Ray Cummings, the scarab robot flying insect from The Scarab (1936) by Raymond Z. Gallun, the artificial eye drone from Glimpse (1938) by Manly Wade Wellman, the Ultraminiature Spy-Circuit from The Unknown (1972) by Christopher Anvil, copseyes from Cloak of Anarchy (1972) by Larry Niven, the sky ball from A Day For Damnation (1985) by David Gerrold, the drone floater camera from Runaway (1985) by Michael Crichton, the aerostat monitor from The Diamond Age (1995) by Neal Stephenson, the loiter drone from The Algebraist (2004) by Iain Banks and the bee cam from City of Pearl (2004) by Karen Traviss.
Thanks to Winchell Chung for contributing the tip on this item.
And he's a Hell Cop. Probably the worst possible job for him, having to keep up his attention in one place for so long. They say the job title comes from the name of an antique flying vehicle--a hellcopper, I think. We send our eyes on their appointed rounds, and they can hover or soar or back up, just like those old machines could. We patrol the city and the adjacent countryside. Law enforcement isn't much of a problem on Cyg. We never peek in windows or send an eye into a building without an invitation. Our testimony is admissible in court--or, if we're fast enough to press a couple buttons, the tape that we make does an even better job--and we can dispatch live or robot cops in a hurry, depending on which will do a better job.
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Additional
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More Ideas
and Technology from This Moment of the Storm
More Ideas
and Technology by Roger Zelazny
Tech news articles related to This Moment of the Storm
Tech news articles related to works by Roger Zelazny
Eyes-related
news articles:
- Autonomous Rotorcraft Sniper System
- Seatlle Police Drones Overhead Now
- Taser Drones Now Legal In North Dakota
- Nuclear Drones Could Fly For Years
- The Wanderer: Eyebot From Fallout, Eye From Zelazny
| New Train Station Offers Minority Report-Style Signs |
| 'Ring Nation' Show Predicted By William Gibson In 1999 |
| The Wanderer: Eyebot From Fallout, Eye From Zelazny |
| Small Town Wants 60 License Plate Readers |
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'LET ME TELL YOU HOW MUCH I'VE COME TO HATE YOU SINCE I BEGAN TO LIVE.'
'...a rolled-up sheet of a thin, dark metal strange to them.'
'... his contract with Space Industries required him to work summers in their orbital factory complex.'
'Space-weather men had been placed at their disposal...'
With each successive print, our model needed to incorporate more structural ingredients to minimize print failures.
'... Wendis stared thoughtfully at the brilliant lines on the spectroscope screen.'
'A special spot-wavex scrambler also caused his televised image, in the area immediately about his lips, to mouth the vowels and consonants beautifully.'
'... it was as if the upper part had been removed, like a cut deck of cards.'
Sumomo will get those office workers into good shape!
