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"In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since."
- William Gibson
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| Relay | ||
| A central information system used to coordinate all of human culture and technology. |
| "Interesting. A decentralized society, moving gradually back into primitive tribalism. A society that voluntarily rejects the advanced technocratic and cultural products of the Galaxy, and thus deliberately withdraws from contact with the rest of mankind."
"From the uniform Relay-controlled society only," Williamson insisted. "Do you know why Relay maintains a uniform level for all worlds?" Rogers asked. "I'll tell you. There are two reasons. First, the body of knowledge which men have amassed doesn't permit duplication of experiment. There's no time. "When a discovery has been made it's absurd to repeat it on countless planets throughout the universe. Information gained on any of the thousand worlds is flashed to Relay Center and then out again to the whole Galaxy. Relay studies and selects experiences and coordinates them into a rational, functional system with contradictions. Relay orders the total experience of mankind into a coherent structure." |
| Technovelgy from Souvenir,
by Philip K. Dick. Published by Fantastic Universe in 1954 Additional resources -
|
Compare to bohemias from William Gibson's 1999 novel All Tomorrow's Parties, the Diaspar memory from Arthur C. Clarke's 1956 novel The City and the Stars and the Book of the Kalends from Philip K. Dick's 1969 novel Galactic Pot-Healer.
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'Our planes are going to start bringing in bales of discarded plastics...'
'... completely forgetting the ship at sight of the awesome figure and great head of the giant Gaut...'
'So, Ender, we will now begin your education.'
'What strange sensitivity! What an amazing development of science was manifested in every move and act and word of this Robot!'
'Forget the head atop it, the legs below, feet, arms, hands. It compels erasure.'
'That explains how it was so easy for me to remain motionless in midair or to perch on a flagpole in imitation of a giant bird, even in the windy city of Chicago.'
'The thirty-odd miles of The Factory’s circumference...'
'Wandering mines, you took them out on the edge of the desert, set them down and activated them.'
