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"To get anywhere, or even live a long time, a man has to guess, and guess right, over and over again, without enough data for a logical answer."
- Robert Heinlein
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| Diaspar Memory | ||
| The city's memory could store works of art, and reproduce them upon request. |
| It was the custom of the city's artists - and everyone in Diaspar was an artist at some time or another - to display their current production along side of the moving ways, so that the passers-by could admire their work. In this manner, it was usually only a few days before the entire population had critically examined any noteworthy creation, and also expressed views upon it. The resulting verdict, recorded automatically by opinion-sampling devices which no one had ever been able to suborn or deceive - and there had been enough attempts - decided the fate of the masterpiece. If there was a sufficiently affirmative vote, its matrix would go into the memory of the city so that anyone who wished, at any future date, could possess a reproduction indistinguishable from the original. |
| Technovelgy from The City and the Stars,
by Arthur C. Clarke. Published by Frederick Muller Ltd in 1956 Additional resources -
|
I note in passing that Clarke sees no future for intellectual property law in Diaspar...
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'Power could be compressed thus into an inch-square cube of what looked like blue-white ice'
'It's so light that you can set it up in five minutes by yourself...'
'Heavy penalties... were to be applied to any one found driving manually-controlled machines.'
'Buy a Little Dingbat... electropen, wrist watch, pocketphone, pocket radio, billfold ... all in one.'
'... an elastic, tinted material that had all the feel and appearance of human flesh and epidermis.'
'It is remarkable that the long leverages of their machines are in most cases actuated by a sort of sham musculature...'
