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"the [science fiction] writer should be able to convince the reader (and himself) that the wonders he is describing really can come true...and that gets tricky when you take a good, hard look at the world around you."
- Frederik Pohl
 |
| Rhennius Machine | ||
| Device of alien manufacture, which will reverse, or turn inside out, any object passed through its mobilator. |
The Rhennius Machine was obtained in a sort of cultural exchange system. Once the Earth was admitted to a loose collection of planetary civilizations, the Earth participated in a system that improved cultural ties by exchanging artifacts of value in a sort of traveling exhibit. Since these items might be from civilizations that were vastly different, the purpose of the artifacts were typically unclear.
| Beside/below me, where I dangled but a couple of feet above the floor, hummed the Rhennius machine: three jet-black housings set in a line on a circular platform that rotated slowly in a counterclockwise direction, the end units each extruding a shaft - one vertical, one horizontal- about which passed what appeared to be a Moebius strip of belt almost a meter in width. |
| From Doorways in the Sand,
by Roger Zelazny. Published by Harper Science Fiction in 1976 Additional resources -
|
The Rhennius Machine turns out to have a very necessary effect; it is a great plot device. One of the effects of the Rhennius Machine is that it can reverse (replace with a mirror image) every molecule in any object passed through it's mobilator. Including people. People with an interest in organic chemistry will have a lot of fun with the extensive material on what it's like to be reversed from a first person point of view.
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