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"The world is really so surreal these days that it's necessary for us to blunt it somehow in order to stay sane. The artist functions to short-circuit the buffering mechanism, so that people can occasionally perceive the weirdness of things as they are."
- William Gibson
 |
| Grip Shoes | ||
| Shoes with velcro soles used to walk in weightless environments. |
The stewardess came walking up the narrow corridor to the right of the closely spaced seats. There was a slight buoyancy about her steps, and her feet came away from the floor reluctantly as if entangled in glue. She was keeping to the bright yellow band of Velcro carpeting that ran the full length of the floor - and of the ceiling... This trick of walking in free fall was immensely reassuring to disoriented passengers. |
| Technovelgy from 2001: A Space Odyssey ,
by Arthur C. Clarke. Published by Del Rey in 1968 Additional resources -
|
This lets the stewardess walk "upside down." These are, of course, the Pan Am Grip Shoes (TM).
Thanks to Winchell Chung at Project Rho for the photo.
Compare to space-boots from The Passing of Ku Sui (1932) by Anthony Gilmore, magnetic boots from Salvage in Space (1933) by Jack Williamson, antigrav boots from The Day We Celebrate (1941) by Nelson S. Bond, magnetic shoes from The Dual World (1938) by Arthur K. Barnes,
Steel-Lined Space Boots from Roamer of the Stars (1938) by Clyde Wilson, the neutronium slippers from Revolt on the Tenth World (1940) by Edmond Hamilton, space socks from Lost Rocket (1941) by Manly Wade Wellman, the weight shoes from The World With A Thousand Moons (1942) by Edmond Hamilton, magnetic sandals from The Warriors (1966) by Larry Niven, magnetic-soled shoes from Space Tug (1953) by Murray Leinster and the flexible sprung boots from Inherit the Stars (1977) by James P. Hogan.
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| Elon Musk Wants Data Centers In Space |
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