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"Science fiction and science have always danced around each other. Science fiction is the subconscious of science."
- Greg Bear
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| Grip Shoes | ||
| Shoes with velcro soles used to walk in weightless environments. |
The stewardess came walking up the narrow corridor to the right of the closely spaced seats. There was a slight buoyancy about her steps, and her feet came away from the floor reluctantly as if entangled in glue. She was keeping to the bright yellow band of Velcro carpeting that ran the full length of the floor - and of the ceiling... This trick of walking in free fall was immensely reassuring to disoriented passengers. |
| Technovelgy from 2001: A Space Odyssey ,
by Arthur C. Clarke. Published by Del Rey in 1968 Additional resources -
|
This lets the stewardess walk "upside down." These are, of course, the Pan Am Grip Shoes (TM).
Thanks to Winchell Chung at Project Rho for the photo.
Compare to space-boots from The Passing of Ku Sui (1932) by Anthony Gilmore, magnetic boots from Salvage in Space (1933) by Jack Williamson, antigrav boots from The Day We Celebrate (1941) by Nelson S. Bond, magnetic shoes from The Dual World (1938) by Arthur K. Barnes,
Steel-Lined Space Boots from Roamer of the Stars (1938) by Clyde Wilson, the neutronium slippers from Revolt on the Tenth World (1940) by Edmond Hamilton, space socks from Lost Rocket (1941) by Manly Wade Wellman, the weight shoes from The World With A Thousand Moons (1942) by Edmond Hamilton, magnetic sandals from The Warriors (1966) by Larry Niven, magnetic-soled shoes from Space Tug (1953) by Murray Leinster and the flexible sprung boots from Inherit the Stars (1977) by James P. Hogan.
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'Chris, the City Fathers are not interested in your welfare; I suppose you know that. They're interested in only one thing: the survival of the city.'
'Drake was the young spatial engineer he employed to terraform the little rock...'
'It diverts integers of the data, the fundamental message-units, so that they no longer agree.'
'Clothes are no longer made from dead fibers of fixed color and texture that can approximate only crudely to the vagrant human figure...'
'Books were just a commodity that had to be produced, like jam or bootlaces.'
