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"If you have a gut response to a story, you are not responding to something new ..you are really responding to a story you were told when you were six or seven…"
- Samuel R. Delany
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| Speedtalk | ||
| A constructed language that uses a single sound to stand for a word, achieving great improvements in communication speed. |
In the novella Gulf (published in 1949), Heinlein uses a great literary device to emphasize just how much human beings can achieve if they put their minds to it. He creates the idea of an artificial language called "Speedtalk" that allows the user to both speak and think more quickly and logically.
| ...it was possible to establish a one-to-one relationship with Basic English so that one phonetic symbol was equivalent to an entire word in a "normal" language, one Speedtalk word was equal to an entire sentence. The structure of Speedtalk did not contain the hidden errors of English... The advantage for achieving truth, or something more nearly like truth, was similar to the advantage of keeping account books in Arabic numerals rather than Roman. |
| Technovelgy from Gulf,
by Robert Heinlein. Published by Astounding Science Fiction in 1949 Additional resources -
|
Artificial languages (also called constructed languages, or conlangs) have been in vogue ever since the not very successful introduction of Esperanto, arguably the most successful of the bunch. Introduced in 1887 by the Polish physician Ludwig L. Zamenhoff, it is spoken by as many as two million people worldwide. Thousands of books are available.
You might also be interested in another artificial language created by a science fiction author - Babel-17, from the 1968 novel of the same name by Samuel R. Delany.
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'After twenty generations of shillyshallying...'
'Our planes are going to start bringing in bales of discarded plastics...'
'... completely forgetting the ship at sight of the awesome figure and great head of the giant Gaut...'
'So, Ender, we will now begin your education.'
'What strange sensitivity! What an amazing development of science was manifested in every move and act and word of this Robot!'
'Forget the head atop it, the legs below, feet, arms, hands. It compels erasure.'
'That explains how it was so easy for me to remain motionless in midair or to perch on a flagpole in imitation of a giant bird, even in the windy city of Chicago.'
