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"I am first of all not a science fiction writer … I write, I suppose, what the Latin Americans call magic realism."
- Harlan Ellison
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Mental Phantasmagoria |
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Telepathic emanations from an alien machine create a virtual reality for human visitors. |
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Treasure hunters range far and wide looking for alien artifacts - even on Io, moon of Jupiter.
| But - there was something else - collecting and forming against the picture of
that dreary scene. Call it a kind of mirage - something that resembled a photograph superimposed upon another photograph by double-exposure. And the
second of the two was becoming more
solid, more real, every moment.
THERE was a lake there, on that dry
plain-or there seemed to be... Along its shores were odd
trees. Beyond them loomed a city wall,
covered with vines. And rearing up over
the rampart were high buildings topped
by carved pavillion-like structures, orinate as Burmese pagodas. Over it all was
a sky, soft and blue...
knew then, at least, what the mirage,
or whatever you care to call it, represented. Primitive Io, long before the last days-when the whole Jovian system was
new. I had thought of those times, and
here, somehow, it was crystallizing before me. Real.
"Russ," I gasped. "Russ - I see a city
- like the ruins of the most ancient cities
here on Io. The ones whose foundations
you can hardly trace! Down there on the
plain at the end of the gorge!"
..."You're
right, Milt!" he grated. "I see it now - the city - the details filling themselves in,
each one as you describe it... And I see a city gate.
People are coming out of it-goblin
people, very slender and pallid...
I hadn't seen
the people either, or heard the music. But
these parts of the vision were all there,
now, clear and vivid! It was as though
everything was imaginary, somehow,
though it all seemed so real
I was in a kind of drunken fuddle. The
lake there, fascinated me. I saw goblinfolk wading into it, the cool water splashing around their thin knees.... Suddenly
I was aware of a tremendous yearning,
stronger than any perhaps more logical
fear.
"Russ," I mumbled. "The lake...
Let's go swimming...
WELL, right then Russ Abfall began
to swear at me. "You loony nut!"
he shrilled at last in his cracked voice
"Don't you realize this is all a fake - a
mental phantasmagoria of some kind?
It's one of the enigmas of a dying race - something they must have employed in
desperation! You don't want to get
mixed up any more than you are with
something like that, do you?.... That
damned sun-plant - and what ever its
underground-wires are attached to!
Visions! Hallucinations! Somehow that
hidden apparatus causes them! And we
can't even guess what kind of a hellish
end this thing we've tangled with, can
have! |
Technovelgy from The Lotus-Engine,
by Raymond Z. Gallun.
Published by Super Science Stories in 1940
Additional resources -
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Compare this to permanent hookup from Spectator Sport (1950) by John D. MacDonald, the Saga simulation from Arthur C. Clarke's 1956 novel The City and the Stars, dimensino - alien entertainment center from Time is the Simplest Thing by Clifford Simak (1961), the dead-show from Her Smoke Rose Up Forever (1974) by James Tiptree, Jr., the virtual matrix from The Judas Mandala (1982) by Damien Broderick and the Saga simulation from Arthur C. Clarke's 1956 novel The City and the Stars.
Note also the DreamTime Scleral Contact Lenses From The California Voodoo Game (1992) by Larry Niven (w/S. Barnes).
Compare to the life chamber from The Chamber of Life (1929) by G. Peyton Wertenbaker and the holodeck from Encounter at Farpoint (1987) by David Gerrold.
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