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Science Fiction
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"At its best, SF is the medium in which our miserable certainty that tomorrow will be different from today in ways we can't predict, can be transmuted to a sense of excitement and anticipation, occasionally evolving into awe."
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As far as I know, this is the first instance.
Here is a somewhat more detailed description from Neuromancer, which Gibson published two years later.
The matrix has its roots in primitive arcade games...Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts... A graphic representation of data abstracted from banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding into the distance...
Although the word "cyberspace" is often used to describe the World Wide Web and/or the Internet, neither of these yet measure up to what Gibson was talking about.
Compare this to permanent hookup from Spectator Sport (1950) by John D. MacDonald, the Saga simulation from Arthur C. Clarke's 1956 novel The City and the Stars, the dead-show from Her Smoke Rose Up Forever (1974) by James Tiptree, Jr., the virtual matrix from The Judas Mandala (1982) by Damien Broderick and the Saga simulation from Arthur C. Clarke's 1956 novel The City and the Stars. Note also the DreamTime Scleral Contact Lenses From The California Voodoo Game (1992) by Larry Niven (w/S. Barnes).
Compare to the life chamber from The Chamber of Life (1929) by G. Peyton Wertenbaker and the holodeck from Encounter at Farpoint (1987) by David Gerrold. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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Science Fiction
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