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"At its best, SF is the medium in which our miserable certainty that tomorrow will be different from today in ways we can't predict, can be transmuted to a sense of excitement and anticipation, occasionally evolving into awe."
- John Brunner
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| SIN (Single Identification Number) | ||
| Mona could see the sun through a couple of rips in the black plastic they kept taped over the window. She hated the squat too much to stay there when she was awake or straight, and now she was both. She was 16 and SINless, Mona, and this older trick had told her once that that was a song, "Sixteen and SINless." Meant that she hadn't been assigned a SIN when she was born, a Single Identification Number, so she grown up on the outside of most official systems. She knew that it was supposed to be possible to get a SIN, if you didn't have one, but it stood to reason you'd have to go to a building somewhere and talk to a suit, and that was a long way from Mona's idea of a good time or even normal behavior. |
| Technovelgy from Mona Lisa Overdrive,
by William Gibson. Published by Bantam in 1988 Additional resources -
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'... completely forgetting the ship at sight of the awesome figure and great head of the giant Gaut...'
'So, Ender, we will now begin your education.'
'What strange sensitivity! What an amazing development of science was manifested in every move and act and word of this Robot!'
'Forget the head atop it, the legs below, feet, arms, hands. It compels erasure.'
'That explains how it was so easy for me to remain motionless in midair or to perch on a flagpole in imitation of a giant bird, even in the windy city of Chicago.'
'The thirty-odd miles of The Factory’s circumference...'
'Wandering mines, you took them out on the edge of the desert, set them down and activated them.'
'Once in the very first weeks of the war, before everyone had been evacuated from the surface...'
