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"In my mind I have gone all over the universe, which may make it less important for me to make piddling little trips... I did enjoy seeing Stonehenge. It looked exactly the way I thought it would look."
- Isaac Asimov
 |
| House Voice | ||
| A house-based system that mediates technologies (like phone) with a verbal interface directed to the inhabitants of the house. |
Now here's a customizable interface; no tinkering with "preferences" files for Angela.
| "Angela," the House said, it's voice quiet but compelling, "I have a call from Hilton Swift." "Executive override?" She was eating baked beans and toast at the kitchen counter. "No," it said, confidingly. "Change your tone," she said, around a mouthful of beans. "Something with an edge of anxiety." "Mr. Swift is waiting," the House said nervously. "Better," she said, carrying bowl and played to the washer, "but I want something closer to genuine hysteria." "Will you take the call?" The voice was choked with tension. "No," she said, "but keep your voice that way, I like it." |
| From Mona Lisa Overdrive,
by William Gibson. Published by Bantam in 1988 Additional resources -
|
Clearly, this house voice is a long way from the uninflected artificial speech of today.
Note the differences between this scene in the interaction between the human character and the machine "servant" and a very similar exchange between Jorj X. McKie and the Daily Schedule in The Dosadi Experiment.
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'... the young men in the streets who applied polyimde OLED body film to their bared shoulders.'
'Bioengeering had put out a spec report on the long crawly things five months back.'
'The air-taxi found its way past and around other ground-cars...'
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'Cerebral Electromagnetic Emmission Amplification and Relay System — call it artificial telepathy, if you like.'
'[It] caused his televised image... to mouth the vowels and consonants beautifully.'
'There was almost no sound, just a steady velvety whirr as the taxi sped along.'
Life imitates anime art.
