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"...in fifty years, do you believe that people will be recognizably human?"
- Greg Bear
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Kinematograph |
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A vast public screen or theater. |
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| The establishment of the Suzannah Hat Syndicate projected a vast façade upon the outer way, sending out overhead at either end an overlapping series of huge white glass screens, on which gigantic animated pictures of the faces of well-known beautiful living women wearing novelties in hats were thrown. A dense crowd was always collected in the stationary central way watching a vast kinematograph which displayed the changing fashion. The whole front of the building was in perpetual chromatic change, and all down the façade — four hundred feet it measured — and all across the street of moving ways, laced and winked and glittered in a thousand varieties of colour and lettering the inscription—
Suzanna! 'ets! Suzanna! 'ets!
A broadside of gigantic phonographs drowned all conversation in the moving way and roared "hats" at the passer-by, while far down the street and up, other batteries counselled the public to "walk down for Suzannah," and queried, "Why don't you buy the girl a hat?"
For the benefit of those who chanced to be deaf—and deafness was not uncommon in the London of that age, inscriptions of all sizes were thrown from the roof above upon the moving platforms themselves, and on one's hand or on the bald head of the man before one, or on a lady's shoulders, or in a sudden jet of flame before one's feet, the moving finger wrote in unanticipated letters of fire "'ets r chip t'de," or simply "'ets." And spite of all these efforts so high was the pitch at which the city lived, so trained became one's eyes and ears to ignore all sorts of advertisement, that many a citizen had passed that place thousands of times and was still unaware of the existence of the Suzannah Hat Syndicate. |
Technovelgy from A Story of the Days to Come,
by H.G. Wells.
Published by Pall Mall Magazine in 1899
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