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"I went [to the top of] Vehicle Assembly Building and looked down, and tears burst from my eyes. The size of this cathedral where the Rockets take off to go to the moon is so amazing."
- Ray Bradbury
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| Neuro-netsukes | ||
| A small sculpture containing the personality of a living person. |
This item is very similar to a construct, taken from the work of William Gibson. What I liked about this image is that it takes a traditional Japanese miniature artform and combines it with a miniaturized technology.
| "A number of cowardly keiretsu lords could attest to this fact - if only they were able to speak, that is. He had amassed quite a collection of their extracted consciousnesses, utilizing the compression technique that the young master had so expertly developed for him. Neuro-netsukes, that's what the old man jokingly called them. Brain bonsai! He had a dozen figurines on display inside a glass cabinet.... Each of his former enemies had been transformed into a singularly unique work of art. |
| Technovelgy from Rim,
by Alexander Besher. Published by HarperPaperbacks in 1994 Additional resources -
|
A netsuke is a small ivory carving. There were no pockets in Japanese clothing 300 years ago. Women carried small items tucked into their sleeves within the wide obi, a sash around their waists. Men tied a small bag to a cord and pulled the cord up under the obi where it would be kept from slipping by a Netsuke made of stone, gourd or root. The word "netsuke" comes from two words meaning "root" and "fastener."
Netsuke evolved into a collectible form of miniature sculpture; netsukes are often carved in the form of animals and heroes.
Compare to the construct from Neuromancer (1984) by William Gibson.
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'...there's a narrow belt where the climate is moderate.'
'He wore spectacles with thick wavy lenses. The spectacles were intended to make him not only half blind, but to give him whanging headaches besides.'
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'Not like me. A T-1000, advanced prototype. A mimetic poly-alloy. Liquid metal.'
'It was riddled with holes that were the mouths of tunnels.'
'The massive feet working the pedals, arms and hands flashing and glinting...'
