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"All fiction is propaganda, and the fiction we like is the propaganda we believe in, and the fiction we don't like is the propaganda we don't believe in."
- Samuel R. Delany

Metal Monster with Jointed Limbs  
  A large robotic device with legs.  

He was awakened by a soft, insistent purring sound, rather like that of a small electric motor run without load at very high speed. Recollection of the night's events came abruptly to him, and he sprang to his feet in alarm, finding his muscles sore and stiff from his cramped position...

The sound came from a glistening metal machine which stood half-hidden in the brush a dozen yards away looking at him!

The thing was made of a lustrous, silvery metal, which Dan afterwards supposed to be aluminum, or some alloy of that metal. Its gleaming case was shaped more like a coffin, or an Egyptian mummy-case, than any other object with which he was familiar, though rather larger than either.

That is, it was an oblong metal box, tapering toward the ends, with the greatest width forward of the middle. Twin tubes projected from the end of it, lenses in them glistening like eyes. Just below them sprang out steely, glistening tentacles several feet long, writhing and twitching as if they were alive. The tangle of green brush hid the thing's legs, so that Dan could not see them.

Suddenly it sprang toward him, rising ten feet high and covering half the distance between them. It alighted easily upon the two long, jointed metal limbs upon which it had leapt, and continued to keep the lens-tubes turned toward Dan, so he knew that the grotesque metal thing was watching him.

The limbs, he observed, were similar to the hind legs of a grasshopper, both in shape and position. And evidently the thing leapt upon them in about the same way...

For several minutes the two stood there, studying each other. A naked man, tense and bewildered in the presence of mysterious forces—and a grotesque machine, cased in gleaming white metal, whose parts seemed to duplicate most of the functions of a living creature.

Then one of the writhing tentacles that shot from the "head" of the machine reached back under the metal case, and reappeared grasping what appeared to be a flat disk of emerald, two inches across and half an inch thick.

This green disk it held up, with a flat side toward Dan. There was no sound, but a flash of green light came from it, cutting a wide swath into the jungle, and littering its path with smoking and flaming debris.

But Dan, expecting something of the kind, had flung himself sidewise into the shelter of the boulder beside which he had slept. Behind it, he gathered his feet under him, picked up a rock of convenient size for throwing, and waited, ready and alert.


(Metal Monster from 'The Doom From Planet 4' by Jack Williamson)

He heard the soft humming sound on the other side of the boulder. A[11] glittering object flashed above him. Crashing through the brush the metal monster came to earth on the same side of the boulder with him.

But the metal thing had not turned in its flight: consequently its rear end was toward Dan. As it began cumberously to turn about, he hurled his rock with an accuracy that came of a boyhood on the farm. Instinct had made him try for the little ring and needle on the back of the monster, apparently its most vulnerable part.

Technovelgy from The Doom From Planet 4, by Jack Williamson.
Published by Astounding Stories in 1931
Additional resources -

Compare to the ships with legs from Buck Rogers: 2430 AD (1929) by Nowlan and Calkin, the centipede machine from Monster of Mars (1931) by Edmond Hamilton, the robass from The Quest for Saint Aquin (1951) by Anthony Boucher, the walking mill from Bread Overhead! (1958) by Fritz Leiber, the centipede from Killing Titan (2015) by Greg Bear and the walking fort from The Killing Machine (1964) by Jack Vance.

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Additional resources:
  More Ideas and Technology from The Doom From Planet 4
  More Ideas and Technology by Jack Williamson
  Tech news articles related to The Doom From Planet 4
  Tech news articles related to works by Jack Williamson

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