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"Tokyo homeless people reiterate the whole nature of living in Tokyo in cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes."
- William Gibson
 |
| Ultramicrominiature Waldo | ||
| A device for transforming ordinary human hand movements into extremely small-scale surgical motions. |
| I am even a gene surgeon now, in theory, and would not hesitate to be one in practice once I had time to construct the ultramicrominiature waldoes needed for such fine work. I am equally expert as obstetrician and gynecologist and rejuvenator. |
| From Time Enough For Love,
by Robert Heinlein. Published by Putnam in 1973 Additional resources -
|
Although this was published relatively late in Heinlein's career, he wrote about this basic idea much earlier. In his original 1940 story Waldo, he described "tiny pixie hands" (waldoes) used for very fine work.
As far as I know, however, the idea of micro-surgery was first named and described by Raymond Z. Gallun in his 1939 short story Masson's Secret; see the entry for microsurgery tool.
Compare also to the microrobot from The Scarab (1936) by Raymond Z. Gallun, the ultra-microrobot from Menace in Miniature (1937) also by Gallun, waldo from Waldo (1942) by Robert Heinlein, the golden shuttles from The Mechanical Mice (1941) by Maurice Hugi, the autofac nanorobots from Autofac (1955) by Philip K. Dick, the nanomachine swarm from The Invincible (1954) by Stanislaw Lem, the Christmas Bush robot from Rocheworld by Robert Forward and the robot cells from Robot City (1987) by Michael Kube-McDowell.
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