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"To get anywhere, or even live a long time, a man has to guess, and guess right, over and over again, without enough data for a logical answer."
- Robert Heinlein
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| Photosensitive Pigment | ||
| Special paint that stays 'blank' until exposed to a scene. |
Robert Melville's sand schooner developed problems; he was picked up by a beautiful woman and taken back to her island home. The strange story of this woman and her companions slowly surfaces in a series of unique paintings.
| As I looked at the empty surface of the fresh canvas she ordered brought down from her studio, I wondered what image of me would emerge from its blank pigments. Like all paintings produced in Vermillion Sands at that time, it would not actually need the exercise of the painter's hand. Once the pigments had been selected, the photosensitive paint would produce an image of whatever still life or landscape it was exposed to. Although a lengthy process, requiring an exposure of four or five days, it had the immense advantage that there was no need for the subject's continuous presence. Given a few hours each day, the photosensitive pigments would anneal themselves into the contours of a likeness.
This discontinuity was responsible for the entire charm and magic of these paintings. Instead of a mere photographic replica, the movements of the sitter produced a series of multiple projections, perhaps with the analytic forms of cubism, or, less severely, a pleasant impressionistic blurring. However, these unpredictable variations on the face and form of the sitter were often disconcerting in their perception of character. |
| Technovelgy from Cry Hope, Cry Fury!,
by J.G. Ballard. Published by Mercury Publications, Inc. in 1966 Additional resources -
|
As you might imagine, this last characteristic of photosensitive pigments gives great latitude to a talented writer. Ballard puts together a terrific story with this plot "device."
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'And he had been sent with troops, supplies and bombs to command Russia's most trusted post, the Moonbase.'
'What is your population', I asked. 'About eighty millions.'
'THE autobus turned silently down the wide street of Hydropole. Robot-guided, insulated from noise and cold...'
'The car had no steering wheel, and no one drove!'
Now that's power walking that Hugo Gernsback would have approved.
'It was disturbing to think of the Flatline as a construct...'
'...he rewired the delivery robot so that it would serve him midnight snacks.'
'On went the electric-yacht faster and still faster.'
'...the huge vessel had spun, with a sickening lurch, through a complete half-circle, the instant the power was reversed.'
'...he realized that it was not quite a clear lens. Speckles of colored brightness swirled and gathered in it.'
