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"I was involved in a cloning project. .. to send me into outer space along with a lot of other people. Not the whole me - just a hair from my head, while I still had some. I would thus pop up in another galaxy in the distant future."
- Arthur C. Clarke
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| Optical-Effect Suit | ||
| An invisibility garment. |
This is a fairly early presentation of this idea; William Gibson updates the concept in his mimetic polycarbon suit from his 1984 novel Neuromancer.
| I pulled the door wide, took out a limp, fish-scale textured coverall with heavy fittings moulded into the fabric at the small of the back and at the ankles. I pulled off my jacket, struggled into the garment: it was called an optical-effect suit, and it was one of the CBI’s best-kept secrets. It had the unusual property of absorbing some wavelengths of light and re-emitting them in the infrared, reflecting others in controlled patterns. It was auto-tuned over the entire visible spectrum, and was capable of duplicating any background pattern short of a clan Ginsberg tartan. I couldn’t walk down a crowded avenue in it without causing a few puzzled stares, but in any less crowded setting, it was as close an approximation of a cloak of invisibility as science had come up with. |
| Technovelgy from The Hounds of Hell,
by Keith Laumer. Published by IF in 1964 Additional resources -
|
Compare to the scramble suit from A Scanner Darkly (1977) by Philip K. Dick, the mimetic polycarbon suit from Neuromancer (1984) by William Gibson and the abglanz from The Mountain in the Sea (2022) by Ray Naylor.
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'Across the ground something small and metallic came, flashing in the dull sunlight of midday.'
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'The object seemed melted together like wax — nothing was distinguishable.'
'Midges have many capabilities. To the untrained eye, they look like sparrows.'
