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"What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger."
- William Gibson
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| Landing Stage | ||
| Parking spot for space craft. |
| Aggar Ho and Sark Ahar walked over to the center of the landing stage. Here, supported by a funnel-shaped cradle was a big shiny sphere about seventy-five feet in diameter. There was a row of circular windows running horizontally around its circumference. Four cylindrical objects, looking like some kind of searchlights, were set at equal intervals around its lower hemisphere. They pointed slantingly downward at an angle of forty-five degrees with the platform. The globe was a space-flier.
 (Landing Stage from 'Atomic Fire' by Raymond Z. Gallun)
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| Technovelgy from Atomic Fire,
by Raymond Z. Gallun. Published by Amazing Stories in 1931 Additional resources -
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Compare to the splashdown from From the Earth to the Moon (1867) by Jules Verne, landing arms from Creatures of the Comet (1931) by Edmond Hamilton, landing cradle from The Radium World (1932) by Frank K. Kelly, landing on an asteroid from Murder on the Asteroid (1933) by Eando Binder, docking-cradle from They Never Came Back (1941) by Fritz Leiber, landing-grid from Sand Doom (1955) by Murray Leinster, landing pit from The Stars My Destination (1956) by Alfred Bester and launching cradle from Needler (1957) by Gordon Randall Garrett.
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'Chris, the City Fathers are not interested in your welfare; I suppose you know that. They're interested in only one thing: the survival of the city.'
'Drake was the young spatial engineer he employed to terraform the little rock...'
'It diverts integers of the data, the fundamental message-units, so that they no longer agree.'
'Clothes are no longer made from dead fibers of fixed color and texture that can approximate only crudely to the vagrant human figure...'
'Books were just a commodity that had to be produced, like jam or bootlaces.'
