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"The world is really so surreal these days that it's necessary for us to blunt it somehow in order to stay sane. The artist functions to short-circuit the buffering mechanism, so that people can occasionally perceive the weirdness of things as they are."
- William Gibson
 |
| Extreme Black | ||
| A material so absolutely black that it absorbed all incident light. |
Here's the quote about the stuntship whose sole purpose was to fly into the sun to provide spectacular effects for a rock concert.
| "That," he said, "that... is really bad for the eyes."
It was a ship of classic, simple design, like a flattened salmon, twenty yards long, very clean, very sleek. There was just one remarkable thing about it. "It's so... black!" said Ford Prefect. "You can hardly make out its shape... light just seems to fall into it!" The blackness of it was so extreme that it was almost impossible to tell how close you were standing to it. "Your eyes just slide off it..." said Ford in wonder. |
| Technovelgy from Restaurant at the End of the Universe,
by Douglas Adams. Published by Not known in 1980 Additional resources -
|
The earliest reference to this idea (that I can find, anyway) is the absolute black from Jack London's 1903 short story The Shadow and the Flash.
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'Chris, the City Fathers are not interested in your welfare; I suppose you know that. They're interested in only one thing: the survival of the city.'
'Drake was the young spatial engineer he employed to terraform the little rock...'
'It diverts integers of the data, the fundamental message-units, so that they no longer agree.'
'Clothes are no longer made from dead fibers of fixed color and texture that can approximate only crudely to the vagrant human figure...'
'Books were just a commodity that had to be produced, like jam or bootlaces.'
