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"We'd have most of what we predicted of the conquest of space, if we hadn't ignored parasite control."
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Isaac Asimov uses this same phrase in Bicentennial Man (1976):
"When can the operation be carried through, Doctor?" he asked.
Softly, with that certain inalienable note of respect that a robot always
used to a human being, the surgeon said, "I am not certain, sir, that I
understand how or upon whom such an operation could be performed."
There might have been a look of respectful intransigence on the
surgeon's face, if a robot of his sort, in lightly bronzed stainless
steel, could have such an expression - or any expression. Andrew Martin
studied the robot's right hand, his cutting hand, as it lay motionless on
the desk. The fingers were long and were shaped into artistically
metallic, looping curves so -graceful and appropriate that one could
imagine a scalpel fitting them and becoming, temporarily, one piece with
them. There would be no hesitation in his work, no stumbling, no
quivering, no mistakes. That confidence came with specialization, of
course, a specialization so fiercely desired by humanity that few robots
were, any longer, independently brained. A surgeon, of course, would have
to be.
Compare directly to the automaton steam surgeon from The Mummy! A Tale of the Twenty-Second Century (1828) by Jane Webb Loudon, robot surgery from Secret of the Buried City (1939) by John Russell Fearn, the robot surgeon hand from War Veteran (1955) by Philip K. Dick, the phymech robot doctor from Wanted in Surgery (1957) by Harlan Ellison.
For automated medicine, compare to the emergency treatment tank from Agent of Vega (1949) by James Schmitz, the shipboard medical treatment from Contagion (1950) by Katherine MacLean, the
Gobathian from Time is the Simplest Thing (1961) by Clifford Simak, the surgical homeostatic unit from Now Wait For Last Year (1966) by Philip K. Dick, the diagnostat from The Man in the Maze (1969) by Robert Silverberg, electronic body analyzer from The Andromeda Strain (1969) by Michael Crichton, the crechepod from The Godmakers (1972) by Frank Herbert and the autosurgeon from Altered Carbon (2003) by Richard Morgan.
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