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"Why does a creative person create? It's a type of compulsion. I like to explore new ideas."
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The device is described in the text as pocket-sized (one of the characters stores it in his pocket).
Here is another short excerpt showing that Traviss imagined the bee cam as a kind of "selfie cam":
"Tight mid-shot and pull out on but behind me," he told it. He checked the shot on his handheld screen and moved a few meters to the right. That was better.
It is also implied that the bee cam is able to find its way back to a specified location, in the event that its owner is unable to do so.
Compare to the raytron apparatus from Beyond the Stars (1928) by Ray Cummings, the scarab robot flying insect from The Scarab (1936) by Raymond Z. Gallun, the artificial eye drone from Glimpse (1938) by Manly Wade Wellman, eyes from This Moment of the Storm (1966) by Roger Zelazny, the Ultraminiature Spy-Circuit from The Unknown (1972) by Christopher Anvil, copseyes from Cloak of Anarchy (1972) by Larry Niven, the sky ball from A Day For Damnation (1985) by David Gerrold, the drone floater camera from Runaway (1985) by Michael Crichton, the aerostat monitor from The Diamond Age (1995) by Neal Stephenson and the loiter drone from The Algebraist (2004) by Iain Banks. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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