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"At its best, SF is the medium in which our miserable certainty that tomorrow will be different from today in ways we can't predict, can be transmuted to a sense of excitement and anticipation, occasionally evolving into awe."
- John Brunner
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| Diaspar Memory | ||
| The city's memory could store works of art, and reproduce them upon request. |
| It was the custom of the city's artists - and everyone in Diaspar was an artist at some time or another - to display their current production along side of the moving ways, so that the passers-by could admire their work. In this manner, it was usually only a few days before the entire population had critically examined any noteworthy creation, and also expressed views upon it. The resulting verdict, recorded automatically by opinion-sampling devices which no one had ever been able to suborn or deceive - and there had been enough attempts - decided the fate of the masterpiece. If there was a sufficiently affirmative vote, its matrix would go into the memory of the city so that anyone who wished, at any future date, could possess a reproduction indistinguishable from the original. |
| Technovelgy from The City and the Stars,
by Arthur C. Clarke. Published by Frederick Muller Ltd in 1956 Additional resources -
|
I note in passing that Clarke sees no future for intellectual property law in Diaspar...
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'Their only check on the growth and development of Vulcan 3 lay in two clues: the amount of rock thrown up to the surface... and the amount of the raw materials and tools and parts which the computer requested.'
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'It's done with a flip of the third joint of the tentacle on the down beat.'
'...for months Grantline bores had dug into the cliff.'
'I hope all those other cars are on automatic,' he said anxiously.
'It’s smart enough to go wrong in very complicated ways, but not smart enough to help us find out what’s wrong.'
