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"If you turn away from the natural gifts that God has given you, or the universe has given you, you're going to grow old too soon."
- Ray Bradbury
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| Diaspar Memory | ||
| The city's memory could store works of art, and reproduce them upon request. |
| It was the custom of the city's artists - and everyone in Diaspar was an artist at some time or another - to display their current production along side of the moving ways, so that the passers-by could admire their work. In this manner, it was usually only a few days before the entire population had critically examined any noteworthy creation, and also expressed views upon it. The resulting verdict, recorded automatically by opinion-sampling devices which no one had ever been able to suborn or deceive - and there had been enough attempts - decided the fate of the masterpiece. If there was a sufficiently affirmative vote, its matrix would go into the memory of the city so that anyone who wished, at any future date, could possess a reproduction indistinguishable from the original. |
| Technovelgy from The City and the Stars,
by Arthur C. Clarke. Published by Frederick Muller Ltd in 1956 Additional resources -
|
I note in passing that Clarke sees no future for intellectual property law in Diaspar...
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'What would you do,' Eric asked the robot cabdriver, 'if your wife had turned to stone, your best friend were a toad, and you had lost your job?'
'those suits they wear -- call them 'stillsuits' -- that reclaim the body's own water...'
'Now, except for weight and heat, the same conditions prevail in this chamber as in space.'
'there were so many worms and counterworms loose in the data-net...'
'Now, look, let's start with the three fundamental Rules of Robotics...'
'..the synthetic intellects at the Place of Knowledge had far outstripped the minds of men.'
'But after washing and drying clothes had to be smooth - free from fine lines and wrinkles ...'
