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" I try to sit down at the typewriter four times a day, even if it's only five minutes, and write three sentences. And if I feel like going on, or if something turns me on I'll just keep writing till I'm written out."
- Roger Zelazny
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| Diaspar Memory | ||
| The city's memory could store works of art, and reproduce them upon request. |
| It was the custom of the city's artists - and everyone in Diaspar was an artist at some time or another - to display their current production along side of the moving ways, so that the passers-by could admire their work. In this manner, it was usually only a few days before the entire population had critically examined any noteworthy creation, and also expressed views upon it. The resulting verdict, recorded automatically by opinion-sampling devices which no one had ever been able to suborn or deceive - and there had been enough attempts - decided the fate of the masterpiece. If there was a sufficiently affirmative vote, its matrix would go into the memory of the city so that anyone who wished, at any future date, could possess a reproduction indistinguishable from the original. |
| Technovelgy from The City and the Stars,
by Arthur C. Clarke. Published by Frederick Muller Ltd in 1956 Additional resources -
|
I note in passing that Clarke sees no future for intellectual property law in Diaspar...
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'If you're one of those rarities who haven't attended a rocket-polo "carnage", let me tell you it's a colorful affair.'
'They filed clumsily into the battleroom, like children in a swimming pool for the first time, clinging to the handholds along the side.'
'a walking balloon proceeded with long strides of its aluminum legs...'
'There was nowhere on the planet where science and technology could not provide one with a comfortable home...'
'Most men updated their PIP on New Year's Day...'
'...a misshapen, many-tentacled thing about twice the size of a man.'
