Science Fiction
Dictionary
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Latest By
Category:
Armor
Artificial
Intelligence
Biology
Clothing
Communication
Computers
Culture
Data Storage
Displays
Engineering
Entertainment
Food
Input Devices
Lifestyle
Living Space
Manufacturing
Material
Media
Medical
Miscellaneous
Robotics
Security
Space Tech
Spacecraft
Surveillance
Transportation
Travel
Vehicle
Virtual
Person
Warfare
Weapon
Work
"Science fiction is really sociological studies of the future, things that the writer believes are going to happen by putting two and two together."
- Ray Bradbury
 |
| Recorded Personalities | ||
| Computer firmware that saves a person's characteristics and reactions. |
The idea of a construct, or a recording of a person, was introduced in Neuromancer, by the same author. In this quote, however, the concept is given a delightful form, with more detail.
| There were similar things in her father's study, four of them, black lacquered cubes arranged along a low shelf of pine. Above each cube hung a formal portrait. The portraits were monochrome photographs of men in dark suits and ties, four very sober gentleman whose lapels were decorated with small metal emblems of the kind her father sometimes wore. Though her mother had told her that the cubes contained ghosts, the ghosts of her father's evil ancestors, Komiko found them more fascinating than frightening. Her father sometimes meditated before the cubes, kneeling on the bare tatami in an attitude that connoted profound respect. She had seen him in this position many times, but she was ten before she heard him address the cubes. And one had answered. The question had meant nothing to her, the answer less, but the calm tone of the ghost's reply had frozen her where she crouched, behind a door of paper, and her father had laughed to find her there; rather than scold her, he'd explained that the cubes housed the recorded personalities of former executives, corporate directors. "They're not conscious. They respond, when questioned, in a manner approximating the response of the subject." |
| Technovelgy from Mona Lisa Overdrive,
by William Gibson. Published by Bantam in 1988 Additional resources -
|
Gibson shows his writing ability by seamlessly fitting tomorrow's concept into a way of life that has endured for millennia. Meditating before pictures of people that you respect is common around the world; in this case, getting an answer is easier. Also, ancestor worship is deeply rooted in Shinto beliefs; certainly, a recorded personality has the power to influence the living world.
Compare to the Electronic Analogue of Living Brain from The Tunnel Under The World (1955) by Frederik Pohl.
Comment/Join this discussion ( 3 ) | RSS/XML | Blog This |
Additional
resources:
More Ideas
and Technology from Mona Lisa Overdrive
More Ideas
and Technology by William Gibson
Tech news articles related to Mona Lisa Overdrive
Tech news articles related to works by William Gibson
| Lawyer AIs Create Chaos In Our Legal System |
| Grok Scores Best In Psychological Tests |
| Google's Nano Banana Pro Presents Handwritten Math Solutions |
| Woman Marries Computer, Vonnegut's Dream Comes True |
Want to Contribute an
Item?
It's easy:
Get the name of the item, a
quote, the book's name and the author's name, and Add
it here.
| <Previous | Next> |
|
|
|
Technovelgy (that's tech-novel-gee!) is devoted to the creative science inventions and ideas of sf authors. Look for the Invention Category that interests you, the Glossary, the Science Fiction Invention Timeline, or see what's New.
|
Science Fiction
Timeline
1600-1899
1900-1939
1940's 1950's
1960's 1970's
1980's 1990's
2000's 2010's
'...there's a narrow belt where the climate is moderate.'
'He wore spectacles with thick wavy lenses. The spectacles were intended to make him not only half blind, but to give him whanging headaches besides.'
'... with the Master-operator all you have to do is push one! A remarkable achievement!'
'Not like me. A T-1000, advanced prototype. A mimetic poly-alloy. Liquid metal.'
'It was riddled with holes that were the mouths of tunnels.'
'The massive feet working the pedals, arms and hands flashing and glinting...'
