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"We were essentially being shell-shocked by rapid change. That was one of the things you needed science-fiction writers for back in the Sixties, because we could cope with the future."
- Peter Watts
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| Computer Generated DigItal Music | ||
| A computer composes music with a few simple inputs from the user. |
I'm sure there must be earlier references to this idea in sf, but I'm still looking.
| Waves, repetitions, pulsatons, rumblings, the rise of a violin taking off can all be described by a Fourier Series-an amalgamation of sine & cosine waves of different frequencies & amplitudes. A frequency is a number. An amplitude is a number. Charlie composed by choosing the number and deciding when to change it. His computer executed the command. He created his own computer language for imitating instruments. It was a simple matter to write a subroutine for oboe or violin or harmonica |
| Technovelgy from The Moon Goddess and the Son ,
by Donald Kingsbury. Published by Not known in 1979 Additional resources -
|
In an interview published in Wired magazine (August, 2010) Fred Brooks states that he programmed a computer to produce hymns in the 1950's. Brooks is the author of the famous The Mythical Man-Month.
Thanks to Dennis Cote for finding this item and sharing it with us.
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'...there's a narrow belt where the climate is moderate.'
'... with the Master-operator all you have to do is push one! A remarkable achievement!'
'Not like me. A T-1000, advanced prototype. A mimetic poly-alloy. Liquid metal.'
'It was riddled with holes that were the mouths of tunnels.'
'The massive feet working the pedals, arms and hands flashing and glinting...'
'There were cubic miles of it, and it glistened like a silvery Christmas tree...'
'Jason had been guiding the caravan of cars as usual...'
"The robot solemnly hit a ball against the wall, picked it up and teed it, hit it again, over and again...'
