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"There's a poetry in the materials we use to construct our world of artifacts; it speaks of our long history as a technological species."
- William Gibson
 |
| Miniature Universe | ||
| A microcosmic universe created in the laboratory. |
In this short story, Arnold Fessenden is an eccentric scientist who shows a friend his greatest discovery.
| It consisted of two twelve-foot metal disks with grid-like surfaces, one on the floor and one on the ceiling directly over the other. They were connected by cables to the electrical machinery, and their grid-like surfaces shone faintly with wan blue light or force.
Between the two disks, floating unsupported in the air, hung a cloud of tiny sparks of light. It looked like a swarm of minute golden bees, countless in number, and the swarm was lenticular in shape. Mounted near this weird thing were several instruments that looked a little like telescopes, though unfamiliar in design. They seemed to be trained on that thick little cloud of shining sparks... "Fessenden's eyes had been following my stupefied change of expression. He said calmly, "Yes, Bradley, it is true. That is a tiny, self-sustaining universe, with its own suns, nebulae and worlds. Everything in it, down to the atoms which compose it, is infinitely smaller in scale than our own. But it is a real universe, like our own." |
| Technovelgy from Fessenden's Worlds,
by Edmond Hamilton. Published by Weird Tales in 1937 Additional resources -
|
The two disks neutralize gravity between them. It turns out (conveniently!) that time proceeds much more quickly in the miniature universe; a year of their time was just a moment of ours.
Fessenden conducted a series of experiments in which he altered the conditions - and destinies - of tiny inhabited worlds to see what would happen, often destroying entire civilizations in the process.
(Fessenden's World by Edmond Hamilton)
For a similar story, see the much more famous Microcosmic God, a 1941 story by Theodore Sturgeon.
Another point of interest in the story is the name of the main character, Arnold Fessenden. Hamilton probably took it from Reginald Fessenden, a Canadian-born inventor who was the first to figure out how to transmit natural sound like speech and music by radio (as opposed to Morse code signals). On the evening of December 24, 1906 (Christmas Eve), Fessenden used the alternator-transmitter to send out a short program from Brant Rock, which included his playing the song O Holy Night on the violin and reading a passage from the Bible.
See also the microcosm from Hamilton's 1935 story The Cosmic Pantograph.
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