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When making the run between Pluto and Neptune, you'll want to stop at a refueling station:
Rather than being in a "natural" orbit around the sun, the fueling island was held in place using fuel:
Heath stood up and read the angle. Just as surely as if she had slipped some huge steel cables holding her midway between the two planets, the 88-X was roaming farther out afield with each spurt of her giant back-thrust rocket tubes. The radio pilot-beams from Pluto and Neptune automatically guiding her in space, were dead, no longer actuating the delicate tynes of the electric control slider that set off the rocket tubes to keep position.
“For at least the last thirty hours this firing pattern
has been maintained on the electric tynes, Rawlins, driving us off our point. You’ll have to operate this typon by hand, and get the island back on position.” Heath released the robot steersman from its locked position so that it swung free. He faced the two men, a sober expression in his grey eyes.
“I don’t doubt that you two are quite aware of the fact that we are in great danger right now. If that collier doesn’t arrive in several more days, we’ll be out of fuel, and that means we’ll start drifting around the sun in our own natural orbit.
As a space station, compare to the brick moon from The Brick Moon (1869) by Edward Everett Hale, the city of space from The Prince of Space (1931) by Jack Williamson, the New Moon Casino from One Against the Legion (1939) by Jack Williamson, the Venus Equilateral Relay Station from QRM - Interplanetary (1942) by George O. Smith, Wheelchair from Waldo (1942) by Robert Heinlein, the space transfer station from Between Planets (1951) by Robert Heinlein, the Sargasso Asteroid from The Stars My Destination (1956) by Alfred Bester,
the tether space station from Tank Farm Dynamo (1983) by David Brin and the high orbit archipelago from Mona Lisa Overdrive (1988) by William Gibson. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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