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"One could imagine a very ascetic sort of life ... where the body is ignored. This is something I've played with in my books, where people hate to be reminded sometimes that they have bodies, they find it very slow and tedious."
- William Gibson
 |
| Graffiti-Eating Finish | ||
| A wall covering that maintained itself, eating any graffiti placed on it. |
William Gibson's environments tend to oscillate back and forth between gritty urban realism and (often computer-generated) perfection. Sometimes, real world objects are given the same degree of perfection as computer-generated objects.
| The store on Sunset had a finish that ate graffiti. The gang kids would come and tag it; twenty minutes later these flat, dark, vaguely crab-like patches of dark blue would come gliding out around the corner… They seemed to be embedded, a few millimeters down into the surface, which was a sort of non-glossy gel-coat affair, but able to move around under there. Smart material, he'd heard that called. And they'd glide up to the tag, whatever artfully abstract scrawl had been sprayed there to declare fealty or mark territory or swear revenge… and start eating it. |
| Technovelgy from All Tomorrow's Parties,
by William Gibson. Published by Putnam in 1999 Additional resources -
|
Imagine - a clean convenience store! Actually, of course, this is just the Lucky Dragon global chain protecting its brand image.
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'The observation vehicle was of that peculiar variety used in conveying a large number of people across rough terrain.'
'The real border was defended by... a swarm of quasi-independent aerostats.'
'I ... set my automatic astronomical instruments to searching for a habitable planet.'
'...haven't you a section of the factory where only robot labor is employed?'
'... oblongs were all over the floor and surfaces.'
