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"the [science fiction] writer should be able to convince the reader (and himself) that the wonders he is describing really can come true...and that gets tricky when you take a good, hard look at the world around you."
- Frederik Pohl
 |
| Maritime Robots | ||
| Robots designed to perform every aspect of maintenance for a ship. |
| Most other fine super-yachts simply sank with the many passing decades: from the many cruel burdens of our history, the wars, plagues, famines, the police or pirates. But the Olga never failed us, because her onboard robots repaired her faster than she could decay.
My wise grandfather had designed the yacht with that philosophy. His maritime robots, installed on board, were great-armed, swivelling, headless machines, painted bright aviation orange, with multiple elbows and many plug-in tools. They maintained and repaired the ship’s engines, and also managed the rigging, rudder, radar, the solar panels, sun awnings, the grand galley, and even the jacuzzi. |
| Technovelgy from Mare Nostrum,
by Bruce Sterling. Published by Delos in 2022 Additional resources -
|
Compare to the autofreighter from The Mountain in the Sea by Ray Naylor.
Compare to the repair robots from The Well-Oiled Machine (1950) by H.B. Fyfe, automated apartment maintenance from Ubik (1969) by Philip K. Dick,
the Powered Suit with Trauma Maintenance from The Forever War (1974) by Joe Haldeman,
the service drones from The Two Faces of Tomorrow (1979) by James P. Hogan,
the Christmas Bush Motile Robot from Rocheworld (1985) by Robert Forward and the
maintenance drone (holon) from The Mountain in the Sea (2022) by Ray Naylor.
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'I could look down at that face of carefully molded synthetic rubber, tinted the exact shade of the doctor's living flesh.'
'Chris, the City Fathers are not interested in your welfare; I suppose you know that. They're interested in only one thing: the survival of the city.'
'Drake was the young spatial engineer he employed to terraform the little rock...'
'It diverts integers of the data, the fundamental message-units, so that they no longer agree.'
'Clothes are no longer made from dead fibers of fixed color and texture that can approximate only crudely to the vagrant human figure...'
'Books were just a commodity that had to be produced, like jam or bootlaces.'
