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"No one has ever produced a statement of fact that was technically true. The most accurate statements of science we have today are accurate to only 15 decimal places."
- Bart Kosko
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| Space-Contraction Drive | ||
| Slip through endless interstellar space by making the distance smaller. |
Yet another clever reference to the idea of improving space travel by traversing less of it.
| “Half the Twelfth Sector Fleet,” muttered Kel Aran. “Six hundred cruisers — after us!” He called Jeron Roc from his bunk. They held a swift consultation. Technical terms were confusing to me. But I understood that the space-contraction drive of the Barihorn gave our craft the advantage in maneuverability; and that the newer cosmical repulsion drive of the Admiral’s cruisers, while it left them a little clumsier about getting under way, gave them by far the greater ultimate speed. “We can keep ahead for a time,” the Saturnian admitted apprehensively. “But in the end they can run us down." |
| Technovelgy from After World's End,
by Jack Williamson. Published by Marvel Science Stories in 1939 Additional resources -
|
Compare to Lyle drive from Stranger in a Strange Land (1961) by Robert Heinlein, the ion drive from Equalizer (1947) by Jack Williamson, the asymptotic drive from Imperial Earth (1976) by Arthur C. Clarke and the gravity drive from Star Ship (1950) by Poul Anderson. See also jump point from Bill for Delivery (1964) by Christopher Anvil, collapsar jump from The Forever War (1974) by Joe Haldeman, hyperspace jump from Foundation(1951) by Isaac Asimov, planoforming from The Game of Rat and Dragon (1953) by Cordwainer Smith, jumpdoor from Whipping Star (1969) by Frank Herbert.
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'Power could be compressed thus into an inch-square cube of what looked like blue-white ice'
'It's so light that you can set it up in five minutes by yourself...'
'Heavy penalties... were to be applied to any one found driving manually-controlled machines.'
'Buy a Little Dingbat... electropen, wrist watch, pocketphone, pocket radio, billfold ... all in one.'
'... an elastic, tinted material that had all the feel and appearance of human flesh and epidermis.'
'It is remarkable that the long leverages of their machines are in most cases actuated by a sort of sham musculature...'
