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"I think we're still on that topic, still trying to figure out what computers are, how they change us, why we use them."
- Neal Stephenson
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| Graffiti-Eating Finish | ||
| A wall covering that maintained itself, eating any graffiti placed on it. |
William Gibson's environments tend to oscillate back and forth between gritty urban realism and (often computer-generated) perfection. Sometimes, real world objects are given the same degree of perfection as computer-generated objects.
| The store on Sunset had a finish that ate graffiti. The gang kids would come and tag it; twenty minutes later these flat, dark, vaguely crab-like patches of dark blue would come gliding out around the corner… They seemed to be embedded, a few millimeters down into the surface, which was a sort of non-glossy gel-coat affair, but able to move around under there. Smart material, he'd heard that called. And they'd glide up to the tag, whatever artfully abstract scrawl had been sprayed there to declare fealty or mark territory or swear revenge… and start eating it. |
| Technovelgy from All Tomorrow's Parties,
by William Gibson. Published by Putnam in 1999 Additional resources -
|
Imagine - a clean convenience store! Actually, of course, this is just the Lucky Dragon global chain protecting its brand image.
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Science Fiction
Timeline
1600-1899
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'...Anything was possible in my imaginary environment.'
'Somewhere in space, a chrome and blue automobile raced the green light of Earth.'
'That explains how it was so easy for me to remain motionless in midair...'
'We had discovered that metal was relatively impervious to the telepathic effect.'
'Detailed plans for the construction of the Gundstetter-Halone warp drive were flowing.'
'Do not waste your priceless company on the unappreciative folds of a sleep pod...'
'...so we've promised him a generous pension from the royalties.'
'Hocus-pocus religions and archaic weapons are no substitute for a good blaster at your side.'
