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"A good science fiction story should be able to predict not the automobile but the traffic jam."
- Frederik Pohl
 |
| Abglanz | ||
| A mask that hides identity. |
| Lawrence concentrated his attention instead on the woman across the table, wiping her chopsticks with a wedge of lime. The color-swarm of the abglanz identity shield masking her face shifted and wavered.
Like something underwater … Lawrence dug his nails into his palm. “I’m sorry—does that thing have another setting?” The woman made an adjustment. The abglanz settled to a bland construct of a female face. Lawrence could make out the faint outline of her real face, drifting below the surface. Drifting … “I don’t usually use this setting.” The oscillations of the abglanz flattened the woman’s inflection. “The faces are uncanny. Most people prefer the blur.” She brought her chopsticks to her mouth. The noodles sank into the glitchy surface of the digital mask’s lips. Inside was the shadow of another set of lips and teeth. |
| Technovelgy from The Mountain in the Sea,
by Ray Naylor. Published by Farrar, Straus and Giroux in 2022 Additional resources -
|
Compare to the optical effects suit from A Plague of Demons (1965) by Keith Laumer, the better-known scramble suit from A Scanner Darkly (1977) by Philip K. Dick and mimetic polycarbon suit from Neuromancer (1984) by William Gibson.
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Science Fiction
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'Our study of your race has convinced us that you are not fitted to leave your planet in the present state of your civilization.'
'...the spreading beam of the deranging ray struck them, and Then one toppled and fell. Then another.'
'Within seconds the material was spread out over fifty yards, in a matter of hours it might occupy several cubic miles of space...'
'The men are dead, but their acquired wisdom lives on and I am the beneficiary.'
'Young people found the driverless car admirable for petting.'
'After twenty generations of shillyshallying...'
