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"I was perfectly satisfied to write science fiction knowing that it would pay very little, that it would be seen by only a very few people."
- Isaac Asimov
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| Compulsive Subsonics | ||
| An advertising agency works with every part of the audience's brain. |
In this classic 1950's story, the ad agency works hard to use every bit of technology available to manipulate the public.
| "They outlawed compulsive subsonics in our aural advertising - but we've bounced back with a list of semantic cue words that tie in with every basic trauma and neurosis in American life today. |
| Technovelgy from The Space Merchants,
by Frederik Pohl (w/CM Kornbluth). Published by St. Martin's Press in 1952 Additional resources -
|
When you read this story, you'll be amazed at how well it predicts the future of mass market advertising. At the time the book was written, ad agencies had only been around for about 100 years; the first American advertising agency was opened in 1941. The first big "ad blitz" was organized by none other than P.T. Barnum, who created so much hoopla with newspaper ads, handbills and broadsides advertising the appearance of Jenny Lind, the "Swedish Nightingale" to America, that she was met at the docks by 30,000 New Yorkers.
The first great American brands were created at this time; the first advertisement for Smith Brother's Cough Candy (drops) appeared in a Poughkeepsie, New York paper in 1851. (Historical note: the two brothers in the illustration are named "Trade" and "Mark.") Today, we are saturated with brand names; but in the mid-1800's, everything people bought was generic. You went to the grocery store and bought flour, salt, sugar and soap; the grocer removed it from a larger, anonymous package and wrapped it for you. You never knew the manufacturer.
The history of advertising is a great reminder of how much has changed in the last 100 years.
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'You’re the robopsychologist of the plant, so you’re to study the robot itself...'
'The Consul remembered his first glimpse of the kilometer-long treeship...'
'His contract with Space Industries required him to work summers in their orbital factory.'
'The basement was huge... carved deep into the rock that folded up to underlie the ridge...'
'...the rocket’s landing-arms automatically unfolded.'
'...points and patches of light... sliding all over their faces in a programmed manner that had been designed to foil facial recognition systems.'
'...the combined Wind-Suncatcher, like a spray of tulips mounted fanwise.'
