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"The way you write science fiction is: you sit down at your writing machine and you open your mind to the first thought that comes through."
- Frederik Pohl
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| Space Charts | ||
| A pictorial representation of suns in space. |
| He consulted the charts — reels of transparent film viewed through a stereoscopic magnifier which gave a three-dimensional image of the array of worlds in space. He rapped swift commands into the ship’s phones. The hull drummed to the swift rhythm of the engines. The Sun diminished to a yellow point behind, and was lost and greater luminaries. But the red stars of the fleet grew brighter, and they spread ever wider across the black of space. |
| Technovelgy from After World's End,
by Jack Williamson. Published by Marvel Science Stories in 1939 Additional resources -
|
Compare to the automatic navigator in A Matter of Size (1934) by Harry Bates, the pilot-robot in Collision Orbit (1941) also by Williamson, the 3D tank display in Triplanetary (1930) by 'Doc' Smith, the article on astrogation in Methuselah's Children (1941) by Robert Heinlein and the telechart in Crashing Suns (1928) by Edmond Hamilton.
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'... making the point that their likenesses, every move they made, were being transmitted.'
'But the stars are only atoms in larger space, and in that larger space the star-atoms could combine to form living matter, thinking matter, couldn't they?'
'...to build up a video picture would require, say, ten million decisions every second. Mike, you're so fast I can't even think about it. But you aren't that fast.'
'The area affected was five hundred kilometres across, and perfectly circular.'
'Hasan always pitched a Gauzy - a one-molecule-layer tent, opaque, feather-light, and very tough.'
'And he had been sent with troops, supplies and bombs to command Russia's most trusted post, the Moonbase.'
'What is your population', I asked. 'About eighty millions.'
'THE autobus turned silently down the wide street of Hydropole. Robot-guided, insulated from noise and cold...'
