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"Why does a creative person create? It's a type of compulsion. I like to explore new ideas."
- Bart Kosko
 |
| Full-Shift Set Variable | ||
| Infinite possibilities built into a game machine. |
You've seen pinball machines, but not like this one.
| "What's the object of the game?" Tinbane asked.
"We have here," the technician explained, "what we call a full-shift set variable. In other words, the terrain through which the steel ball moves is never the same. The number of possible combinations is -" he leafed through his report but was unable to find the exact figure - "anyhow, quite great. In the millions. It's excessively intricate, in our opinion..." |
| Technovelgy from Return Match,
by Philip K. Dick. Published by Galaxy in 1967 Additional resources -
|
For earlier speculations on infinitely variable gaming environments, see the remarkable kingdom in a box, from Stanislaw Lem's 1965 story The Cyberiad: Fables for the Cybernetic Age.
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Tech news articles related to works by Philip K. Dick
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| Tongue-Controlled Tong Wearable Mouth Computer |
| Interpol Launches Metaverse For Law Enforcement |
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'... making the point that their likenesses, every move they made, were being transmitted.'
'But the stars are only atoms in larger space, and in that larger space the star-atoms could combine to form living matter, thinking matter, couldn't they?'
'...to build up a video picture would require, say, ten million decisions every second. Mike, you're so fast I can't even think about it. But you aren't that fast.'
'The area affected was five hundred kilometres across, and perfectly circular.'
'Hasan always pitched a Gauzy - a one-molecule-layer tent, opaque, feather-light, and very tough.'
'And he had been sent with troops, supplies and bombs to command Russia's most trusted post, the Moonbase.'
'What is your population', I asked. 'About eighty millions.'
'THE autobus turned silently down the wide street of Hydropole. Robot-guided, insulated from noise and cold...'
